Fashion
Hong Kong's Centrestage Hit a Record 270 Brands This Year
Asia's fashion showcase widened its net across craft, circularity and athleisure for its latest edition.

CENTRESTAGE, Hong Kong's flagship annual fashion showcase organised by the Hong Kong Trade Development Council, returned to the Hong Kong Convention and Exhibition Centre.
From 2 to 5 September with its largest edition to date: roughly 270 brands from 24 countries and regions, and more than 40 events including over 30 fashion shows both record highs for the event.

The programme organised its exhibitors across six curated zones - Craftsmanship, Contemporary, Urban, Athleisure, Circular Fashion and Accessories - a structure that reflects how far the showcase has moved beyond a purely commercial trade fair format toward something closer to a thematic survey of where fashion is heading regionally. This year's opening show, CENTRESTAGE ELITES, featured Kit Wan Studios, a multidisciplinary studio whose past collaborators include Cantopop stars Miriam Yeung and Hins Cheung. Programming beyond the runway included a Fashion Farm Foundation showcase spotlighting designers from the Guangdong-Hong Kong-Macao Greater Bay Area, the Young Knitwear Designers' Runway organised by the Knitwear Innovation and Design Society, and a Meet with Designer session featuring Korea's Rok Hwang discussing building his ROKH label into an internationally recognised name.

"Leveraging on Hong Kong's role as a superconnector, we would like to utilise CENTRESTAGE to connect the industry with global buyers, partners and media," said Smilely Lam, the HKTDC's Associate Executive Director. That superconnector framing is deliberate: with sustainability-focused talks from organisations including the NGO Redress and AI-and-design research platform AiDLab built directly into the programme, CENTRESTAGE is positioning Hong Kong not just as a manufacturing and trading hub, but as a genuine forum for the industry's harder conversations about circularity and technology.
For a fashion week competing for attention against Seoul, Tokyo and Shanghai's own growing calendars, a record-breaking edition built around genuine thematic range, rather than scale alone, is a reasonable bet on how Hong Kong differentiates itself going forward.

About the author
Jing Yi Tan
Fashion editor and writer covering design, image-making and the creative networks connecting Southeast Asia.


